Rakett presents
Investigation of a Model of Influence - including use of subversive strategies and attempts of aesthetic practice and experience
14th February to March 2nd 2008
Guest Room at Astrup Fearnley Museet
Event program includes contributions from Espen Sommer-Eide & Arne Skaug Olsen, Michael Baers and Geir Tore Holm & Søssa Jørgensen
Investigation of a Model of influence consist of discursive events (see program below) and a sound installation. We see the whole project as a process-based, investigative work that presents some of its findings in the Guest Room space at the Astrup Fearnley Museum of Modern Art in Oslo throughout the month of February. The sound installation is composed by answers given to three questions we have asked several artists, curators and directors within the field of contemporary art to answer.
1. What constructions of meaning does an artwork create and how do these influence other structures of society (as opposed to political meaning, scientific etc)? Could you describe a work that you consider important/influential?
2. What strategies could one (or does one) implement at art institutions to give art a more important role in society?
3. Is there still anything like institutional critique? If so, what does it mean in the present context?
As part of the sound installation, Rakett also asked to receive an visual image that could be part of representing the thoughts elaborated by each contributor. The printed photos displayed in the exhibition-space are all chosen and sent by our contributors.
Rakett is grateful to following contributors for lending us their time and thoughts: Linus Elmes, Magdalena Ziolkowska, Kristin Tårnesvik, Matt Packer, Ron Sluik, Maaretta Jaukkuri, Tal Ben Zvi, Tone Hansen, Camila Marambio, Yvette Brackman, Matei Bejenaru and Insert Name Here - Jacqueline Hoang Nguyen and Jenny Yurshansky
EVENT PROGRAM
Thursday February 14th at 17:00
Opening
Friday February 15th at 13:00
What is politics, and what is the political function of art?
With Espen Sommer Eide and Arne Skaug Olsen
French philosopher Jacques Rancière tries to establish a new relation between aesthetics and politics through an investigation of the two by introducing the term "the distribution of the sensible". Rancière uses the term as an aggregate to reveal something in common to the sphere of politics, and the sphere of aesthetics. As an attempt to answer these questions, Espen Sommer Eide and Arne Skaug Olsen invite the public to a collective reading of Rancières definition of the distribution of the sensible.
"...the distribution of the sensible [is] the system of self-evident facts of sense perception that simultaneously discloses the existence of something in common and the delimitations that define the respective parts and positions within it." Jacques Rancière
Arne Skaug Olsen is a visual artist, director of Flaggfabrikken and editor at Ctrl+Z Publishing.
Espen Sommer Eide is a musician and philosopher, as part of the musical projects Alog and Phonophani he has released several albums on the record label Rune Grammofon.
Please be so kind as to send your intent to attend to rakettpost@gmail.com. It would be helpful to receive your final R.S.V.P. by the 14th of February.
Saturday February 16th at 13:00
Who is Gerd Stern and what does he know about Michael Asher?
With Michael Baers
How do institutional critique practices attempt to resituate the viewer's perception of the institution and the art object? What limits are then encountered by attempts to redefine the nature of something as concrete and structurally opaque as a museum or conceptually entrenched as a normative definition of 'art'? And more to the point, what is the lost psychedelic component of institutional critique? Michael Baers seeks to address these and other questions in a talk show format with special guests and entertainment, psychedelic musings and, of course, an incisive interrogation of the nature and function of the museum and critical art practice. While preferring to let the connection between psychedelia and critical practice remain obscure for the moment, as a programmatic foretaste of the afternoon's agenda, Baers introduces here Timothy Leary's concept of Set (as in 'mindset' or attitude) and Setting (ambience, décor, and music, particularly), the therapist's principal tools in guiding the psychedelic experience. Museums also make use of set and setting to ideologically orient visitors in relation to art and its institutions. One might propose institutional critique as instituting a counter-setting, which then, hopefully, induces a counter-set. Come reprogram both your mind and the museum.
Michael Baers is an American artist based in Berlin who commonly works with publications and comics. He is currently collaborating with the Dutch publication Fucking Good Art on a comic about LSD and Switzerland for their upcoming "Swiss Issue".
Please be so kind as to send your intent to attend to rakettpost@gmail.com. It would be helpful to receive your final R.S.V.P. by the 15th of February.
Sunday February 17th 13:00
Social Model. Why is art so important?
With Geir Tore Holm and Søssa Jørgensen
An workshop with Søssa Jørgensen and Geir Tore Holm that practically investigates how contemporary art kan function with relevance to society and on its own terms.
Geir Tore Holm and Søssa Jørgensen live and work in Oslo, Gildeskål and Tromsø. They have both examined from the Art Academy in Trondheim (1995). Their individual practices as visual artists include video, performance and installations, and they have also curated, written about and taught art. Together with Kamin Lertchaiprasert and Rirkrit Tiravanija, they started Sørfinnset skole/the Nord Land in 2003. Jørgensen has explored sound art since the middle of the 1990s through her collaborative project Ballongmagasinet. Holm has been the project leader for the newly established Art Academy in Tromsø. They are both concerned with social responsibility and ecological thinking.
Please be so kind as to send your intent to attend to rakettpost@gmail.com. It would be helpful to receive your final R.S.V.P. by the 15th of February.
Investigation of a Model of Influence - including use of subversive strategies and attempts of aesthetic practice and experience is part of Lights On, an exhibition at Astrup Fearnley Museum of Modern Art in Oslo.
This project it generously supported by the Municipality of Bergen.
